Eazuka Khazrik is an artist-composer, technologist, educatress and writer who nurtures a plural, liberatory practice. Working across a multiplicity of spaces and constellations that engage with locally entrenched universalisms, her work is guided by a trans-millennial production of knowledge that refuses to separate people from knowledge and the land. While probing the unity of science and the multi-dimensionality of experience in an age that institutes separation, over the past 15 years, her indisciplinary practice has been revolving around the collective search and need for polymathy, environmental justice and collective healing in our shared present and long-term future. Khazrik holds BAs in Linguistics and in Theatre from the Lebanese University(LB) and a MS in Art, Culture and Technology from MIT (US) where she was awarded the Ada Lovelace Prize. Eazuka is the founder and platform designer of “ خريطة الظلام Cartography of Darkness”, AATMA✦ عتمة, “Astrorevolt ܟܪܟܐ” and “Reading Computers قراءة الحواسيب”.
As a musician, she has been performing live with bands since 2005, DJing since 2008 and performing solo while creating multi-modal sound installations since 2015. Her multi-modal sound installations have been commissioned by and exhibited at ar/ge kunst (IT, 2020), Kunsthalle Wien (AT, 2020) LACE (US, 2017), LUMA Foundation (CH, 2017), Muzeum Sztuki w Łodzi (PL, 2022) and Para Site (HK, 2021) among others. Her essays and short stories have been published in edited anthologies and multiple publications like Bidayat Journal (LB), Zweikommasieben (CH), MadaMasr (EG), Kohl Journal (LB), The Funambulist (FR) and Ibraaz (US) to name a few. Her music has been released by HIZZ (EG), Ma3azef (TN) and System Revival Records (LB).
Khazrik has been an artist fellow at Home Workspace Programme (2012–13), Digital Earth (2018–19), HfK Bremen (2020) and SHAPE Platform (2021–22) and Helmholtz Center (2022–23), among others. As visiting faculty, she has taught voice-based electronic music, agnotology and techno-politics at HfK Bremen (DE, 2020), the FHNW Academy of Art and Design Basel (CH, 2021–), the Academy of Fine Arts Nuremberg (DE, 2022–24), NTNU (NO, 2025–26) and guest lectured internationally. Having grown up around a quarry contaminated with military waste brought from the United Empire of Genocide into Lebanon, she has been active in struggles for environmental justice since early adolescence.