As the climate catastrophe intensifies, digital and green infrastructures are proposed as essential for addressing the ongoing social and environmental crises of today. The Swiss National Science Foundation project (SNSF) “Infrastructural Rehearsals: Creative Responses to the Green and Digital Transition” engages instead with the ways in which communities are imagining and practising their own infrastructural transformations.
The Infrastructural Rehearsals project engages with grounded community responses that challenge the twinning of the green and digital transition. These responses, from resisting to remaking, problematise the “digital” as a solution for climate crisis and the energy transition. Making visible how massive institutional narratives, propaganda, funding bodies and industrial operations are being mobilised in favour of a skinny transition lane defined by racial capitalism. Business-as-usual is not an option for many grassroots communities whose situated experiences happen in the outskirts and in refusal of such projections. Instead, how are communities inventing modes and rehearsing day-to-day to widen the spectrum of what might be more timely ways of activating and taking responsibility for the transitions that are needed?

Through artistic and practice-based research, Infrastructural Rehearsals attends to actions and campaigns that actively and disobediently use techniques, protocols, technologies and infrastructures. As part of the methodology the research develops prototypes, toolkits, workshops and events to collectively study what infrastructural rehearsals might be, as creative anticipatory practices put forward by communities. Understanding how these rehearsals seek to sustain the future and livelihoods in the transition to a low-carbon economy and how their practices significantly shift tools, sites, and knowledge to make space for engagement with intersectional concerns such as social justice, queer futures, anti-imperialism and anti-racist approaches. Through methods such as situated learning visits, drop-in sessions and on-the-spot toolkits, the research investigates and collaborates on imaginative community-led responses to the climate crisis under fossil-fuel driven racial capitalism today.

Multimodal methodology

This ambitious program will generate important and urgent contributions to arts research and environmental scholarship across disciplines. Situated at the intersection of arts-based research, design practice, digital media anthropology, infrastructural humanities, queer feminist technoscience and science and technology studies (STS), the research will demonstrate through empirical research and an inventive multi-modal methodology 1) how infrastructure for the digital and green transition impacts socio-ecological relations, where the twin digital and green transition becomes a social-political infrastructure for addressing environmental change, 2) contribute to new knowledge in the arts, design and media practice through infrastructural rehearsals, empiric artefacts and on the spot critical toolkits, and 3) contribute a set of practices that propose equitable approaches from arts-based knowledge for communities to mobilise in their responses to digital-environmental practice and policy.

The Infrastructural Rehearsals Collective

The Infrastructural Rehearsals Collective investigates and collaborates on imaginative community-led responses to the climate crisis under fossil-fuel driven racial capitalism today. As academics, artists, designers, researchers, activists, organizers and cultural workers we bring our experiences from different fields of knowledge, practices and terrains (Barcelona, Basel, Brussels, London, and Rotterdam). Together we figure out tools, methods, creative strategies and technologies to build capacity for international solidarity and resistance. While being embedded in a wider network of associated groups and collaborators, the Infrastructural Rehearsals Collective came together through an initiative by the Critical Media Lab and The Institute of Technology in the Public Interest (TITiPI). Through this, we look for ways to: share knowledge for climate action storytelling, do bug-reporting on big tech, make toolkits, provide vocabularies or build community infrastructures. Drawing upon Ruth Wilson Gilmore’s idea of abolition as life in rehearsal, we look to model “the future from the present” by using our institutional resources towards actively making platforms, generatively problematizing deadly technosocial paradigms, or facilitating knowledge and skills that can be openly shared and redistributed. As Big Tech Cloud abolitionists, we’re rehearsing in its ruins, organizing towards a world in which many words fit.

You can find regular updates of the project at our Mastodon account:
@infrarehearsals@post.lurk.org

Team
Led by

Critical Media Lab, Institute Experimental Design and Media Cultures (IXDM), Basel Academy of Art and Design FHNW, Basel (CH) and Westminster School of Media and Communication, University of Westminster

Partner

The Institute for Technology in the Public Interest (TITiPI)

Funding

Swiss National Science Foundation Project Grant (September 2024 – August 2028)