Visualization of a sample of a vintage car contaminated with asbestos, analyzed in the laboratory using scanning electromicroscopy. © Flavia Caviezel 2022.
Since the 1990s, collecting practices and associated issues such as contamination and toxicity have increasingly come into focus due to the growing ecological and political relevance of objects and materials. Little epistemic relevance, however, has been attributed to the leftovers: They challenge collecting institutions emerging during transformative processes of differentiation, purification, and reevaluation as well as in transgressions of taxonomic, disciplinary, architectural, and institutional boundaries.

A specific focus on this marginalia is the audiovisual research Toxic Leftovers of Collecting. It accompanies and analyzes cleaning and transformation processes of contaminated materials. The aim is to give insights into those relational contexts of more-than-human ecologies and their tracings, as well as to planetary conditions regarding toxins ultimately accumulated in landfills.

As a case study the audiovisual research on cleaning processes of asbestos-contaminated vintage cars belonging to the collection of a Swiss foundation outlines the field of tension in which collecting activities are fundamentally situated today, especially in the case of toxicity of collection items: a balancing act between preservation and elimination, between restoration, remediation and disposal. It means a deepened examination of dangers caused by pollutants such as asbestos, arsenic, lindane or heavy metals, which are built into objects due to their properties or were used for conservation purposes.

The results of the research are summarized in a text-image-based essay which has been realized during a research exchange at the Cluster of Excellence Matters of Activity of the Humboldt University Berlin, supported by the Swiss National Science Foundation (Scientific Exchange Grant) and published in Museale Reste of the series Bildwelten des Wissens (De Gruyter 2022).
Related
Tracing Toxicity

Following routes and temporalities of a collection vintage car’s contaminants by artistic research practices.

Non-linear essay by Flavia Caviezel in online journal Troubles dans les collections/Troubles in the collections.

Toxic Leftovers of Collecting

The audiovisual research Toxic Leftovers of Collecting sheds light on the cleaning and handling processes of asbestos-contaminated objects of a Swiss foundation. The text-image-based essay Toxische Überreste des Sammelns (in German) is now published as part of the Open-Access publication Museale Reste by De Gruyter.

Toxische Überreste des Sammelns (HGK news).